“In wine, there’s truth.” ― Pliny the Elder

Aloha from Maui! This is the seventh in a series of wine blog posts highlighting some of my favorite wines from celebrities of note and whom I admire. Previous posts reviewed Gaslighter Wines by The Chicks, Pursued by Bear Wines from Kyle MacLachlan, XOBC Cellars wines by Brandi Carlile and friends, Two Wolves Wine by P!nk, Invivo X by Sarah Jessica Parker, and Avaline Wines by Cameron Diaz. Our wine this time is Roxanne by Sting, from his winery Il Palagio in Tuscany.
As mentioned in earlier blog posts, it is not always easy to procure interesting and often obscure wines here in my new home, Hawaii. There are numerous wine outlets (grocery stores, Costco, Target), but those traditional outlets usually have limited selections. Out-of-the-ordinary wines are decidedly pricey to ship here, if winemakers even ship here at all. My solution: luggage! I was in Denver back in April visiting friends and family, so I decided to stock up on a few celebrity wines while there and, um, load down my checked luggage (luckily the wine didn’t exceed the maximum weight limit, though I was sweating it for a while). You’ll be happy to know that, safely cocooned inside bubble wrap, all the bottles made it unscathed, including this one.

“I think you’ll find this wine to be quite infuriating.”
And another shameless plug: earlier this year, I wrote a book cataloging my travels through France, visiting as many of the wine regions (and sampling as many of the wines) as mentioned in Kermit Lynch’s great book Adventures on the Wine Route. My book is called Opening the Cellar Door: New Adventures on the French Wine Trail, and is available from Amazon as a paperback and a Kindle e-book. I think you’ll enjoy it.

But on to the wine!
In my last review, I noted that there was an interesting take on “celebrity wines” in a recent article in The Washington Post by Emily Saladino. She writes, “Side hustles have infiltrated the bottle shop. Celebrity wine projects bring bold-faced names from sports, music, television and more to retail shelves — and the results are mixed. Some celebrity wines seem more focused on lining investors’ pockets than impressing palates. Others demonstrate a star’s deep passion for agriculture or oenology. Whether each one delivers depends on how it’s made, and if quality or profitability is its raison d’être. In any business, including wine, those two motivations are not mutually exclusive.” She notes that “higher-quality celebrity wines tend not to plaster the star’s name or likeness all over the label. There are exceptions, but I had better luck with bottles where the wine — not the bold-faced figurehead — seems to be the focus.” In the case of Sting and his “Roxanne” wine (clever name eh?), his face is definitely not on the label (though his signature is).

But more about this Sting guy. His real name is Gordon Matthew Thomas Sumner, born in 1951, and former lead singer of The Police, who has had a tremendously successful solo career in the past few decades. But you know that, right? Legend has it that he got his nickname from his younger days when he constantly wore black-and-yellow-striped shirts that made him look like a … bee.
Of course, one of the earliest hits by The Police was … um … “Roxanne.” How could we forget that earworm?
But since the Police broke up (though they have had reunion tours over the years), his solo career has reached the stratosphere with album after album of fantastic music. One of my personal favorites is “A Thousand Years.”
He’s released a couple of albums alluding to his upbringing. Soul Cages in 1991 consisted of songs that alluded to the death of his father, who worked in the shipyards in Newcastle. The powerful title song won a Grammy for best rock song.
Then in 2013, he wrote an album called The Last Ship, again about his upbringing in a shipbuilding town. Its songs were used in a stage play that appeared on Broadway and in theaters around the world; he still occasionally performs in it to this day. The powerful title song is a masterpiece.
So what would lead a tremendously successful, world-famous musician to begin making wine? First of all, in the 1990s, he and his wife Trudie were looking for a house in Italy, and in their search they came upon Il Palagio (which means “little palace”). The estate included a rundown hilltop villa and 350 hectares (about 850 acres) of farmland and vineyards in the Chianti Colli Fiorentini region of Italy (located south of Florence about halfway between that city and San Gimignano). Il Palagio has been producing wine since the 16th century, and between the 17th and 20th centuries, the estate and its fields of gold changed ownership between several prominent Italian families.
According to an interview in thedrinksbusiness.com in 2017, Sting found out that during the negotiations to buy the estate in 1999, the previous owner (an Italian duke) had served him Bordeaux wine instead of Italian. Instead of saying, “consider me gone,” he doubled down. “So I was provoked to make good wine as revenge,” Sting said. He had the estate vineyards replanted, and he produced his first Super Tuscan (a blend of Sangiovese, Cabernet Sauvignon and Merlot) in 2007. It was called “Sister Moon” (after another famous Sting song), inspired by the biodynamic winemaking practices used at the vineyard. Nothing fragile here!

So let’s talk about this term “biodynamic” for a second. According to The Oxford Companion to Wine, biodynamic viticulture “is, depending on your perspective, an enhanced or extreme form of organic viticulture.” It is “the oldest ‘green’ farming movement, pre-dating organics by 20 years.” Karen MacNeil’s Wine Bible tells us that biodynamic agriculture was “first propounded by the Austrian philosopher Rudolph Steiner in the 1920s.” Biodynamic agriculture “is a holistic system of ‘living agriculture’ whereby the soil is nurtured through the natural forces and rhythms of the cosmos.” Okay, that sounds a little out-of-the-ordinary, but it’s probably me, so let’s go on. The Oxford Companion says that biodynamic viticulture consists of three factors:
“The vineyard should become a self-sustaining … ‘farm organism.’ …. It should be treated regularly with nine herb- and mineral-based biodynamic ‘preparations’; and key tasks such as planting, pruning, ploughing, picking, and bottling should be timed to harness beneficial ‘formative forces’ exerted by earthly and celestial – planetary, solar, stellar, and especially lunar – rhythms.”
Lunar eh? Maybe if someone is walking on the moon?
Wine Folly goes into more detail:
Biodynamics occur primarily in the vineyard before winemaking even happens. All the various tasks, from planting and pruning to harvesting, are regulated by a special biodynamic calendar. The calendar was originally devised by the ‘high priestess’ of biodynamics, Maria Thun, who divided days into four categories: Fruit, Root, Flower, and Leaf days.
Each biodynamic calendar day coincides with one of the four classical elements of Earth, Fire, Air, and Water that have been used since before Plato’s era:
- Fruit Days: Best days for harvesting grapes
- Root Days: Ideal days for pruning
- Flower Days: Leave the vineyard alone on these days
- Leaf Days: Ideal days for watering plants
Some biodynamic practices, such as composting with cow horns, may be controversial for those avoiding animal products. Biodynamic viticulture requires special compost preparations that are stuffed into cow horns and buried in the soil. Later, the cow horns are dug up and reused, and the ’stuffing’ is distributed throughout the vineyard.

Sound a little wonky? Maybe it’s just part of the seventh wave, but as Wine Folly tells us, “If you think about it, there’s not really anything ‘new’ behind the theory of biodynamics. Humans have looked to the sky for guidance since ancient Greek and Egyptian civilizations, and all the way to the trusty ‘Farmer’s Almanac’, the Bible of traditional American farming.”
Fortune Magazine conducted a blind tasting of ten pairs of biodynamic and conventionally made wines in 2004:
Out of ten pairs of wines, only one of the conventionally made wines was judged superior to its biodynamic counterpart…. On the whole, the biodynamic wines were found to have better expressions of terroir, the way in which a wine can represent its specific place of origin in its aroma, flavor, and texture. Indeed, that is one of the principal claims of biodynamic vintners, particularly those making wine in prestigious locales. Ray Isle, managing editor of Wine & Spirit magazine, says, “It’s kind of a nobrainer as a consumer. If you buy wines from producers who are biodynamic, you’re getting wines made (a) without pesticides and other inimical chemical whatnots, (b) with meticulous attention to detail in the vineyard, and (c) by growers who really believe that a vineyard’s character should be expressed in the wine. So what if they also think burying cow horns full of manure will help them channel new life forces from the cosmos?”
I couldn’t tell from anything on the Il Palagio website if their winemakers use cow horns or not, but it’s definitely an interesting concept, don’t you think? Maybe every little thing they do is magic?
Anyway, more about Il Palagio. From the estate’s website:
Il Palagio is set above the picturesque Tuscan town of Figline Valdarno. It has been the summer home for Sting and Trudie’s growing family for over two decades, and the setting for many of their intimate parties, private concerts and anniversaries. The villa, its guesthouses, vineyards and olive groves have all been lovingly restored by Sting and Trudie, and it is now a vibrant and fully functioning organic farm and vineyard.

The-buyer.net quotes Sting and Trudie:
”We aim to be at Il Palagio during some key moments – for some of the harvest and for bottling days. During our month-long stay in the summer we take the opportunity to go to the vineyard, help out with the pruning (under strict supervision!), and we might agree to an editorial opportunity about the estate while we are both there. The actual winemaking, of course, we leave to the experts….”
And one more note: you can stay there! No fortress around their hearts! From the Il Palagio website:
“Now, Trudie and Sting are offering this truly spectacular, completely unique and historically significant location as a place for you to have a once-in-a-lifetime experience, host the most special of occasions, or simply relax and enjoy a very special setting…. The estate consists of five guesthouses, all lovingly renovated by the famous owners.”
More from their interview with The-buyer.net :
“Il Palagio is also a hospitality venue, for holiday stays and for parties and weddings – that is a separate activity to the wine business but plays a big part in the life of Il Palagio. We also make olive oil and honeys to sell in our farm shop, and we now have our own pizzeria next to the farm shop. So there are different strands of the life of the estate with different people in charge of the various activities. The local people are very welcoming to us. We feel very much a part of the community. They seem to enjoy coming to the pizzeria when we’re open during the summer months – it’s not just tourists who come to eat and drink there. And every year we have a party there and Sting will play a few songs and we invite as many people as we can safely have space for.”
Now that’s a party I’d like to go to! And here’s a nice tour of the estate and a great interview with Sting and Trudie, courtesy of CBS Sunday Morning from 2019:
Okay, okay, enough with the diversions. What about the wine itself? As Sting says,
“Like a good song, a good glass of wine tells a story – it has a beginning, a middle and an end, and must always include a surprise…. Our wine cellar is under the Music Studio so it makes a full circle. Perhaps the music helps the wine to evolve and the scent of wine from the cellar helps with creativity in studio.”
And of course there are the cool names for the wines:
“When we first made Sister Moon, the name seemed very appropriate because originally the grapes were grown using biodynamic methods, which as you know integrates the cycles and rhythms of nature, especially the moon’s influences on plant growth. Message in a Bottle just seemed like too good a connection to ignore. Other than that, I think the most appropriate names have been the ones that conjure romance in some way – Sacred Love, When We Dance, and Roxanne. They’re all about being in love in some way.”
Sigh.

So what were we to expect? As noted, there are many options for wines from Il Palagio, but the one we tried was a “Roxanne” from 2018. Primarily Sangiovese (90%) with 10% ciliegolo grapes (an interesting red grape named after the Italian word for “cherry”), the label tells us: “With a complex aroma of cherries, wild blackberries, and spices, this is a versatile and very drinkable wine to compliment many dishes and to capture the heart.”
James Suckling said: “Delicious intensity and focus to this red here with fresh dark cherries, licorice, tea leaves and some eucalyptus. Round and juicy but grainy and suave, this delivers solid, crunchy cherries, across a wealth of sturdy tannins. Full-bodied and medium-chewy on the finish.”
Forbes Magazine said it is “well balanced, earthy yet fruity and slightly peppery … [it] really delivers (like the Italian takeout you’ll want to eat with it).”
And Wilfred Wong of Wine.com said, “The 2018 Il Palagio Roxanne Sangiovese is a classic and excellent Toscana …. This wine offers aromas and flavors of savory spice, rustic earth, and red fruit. Enjoy it with penne pasta with fresh tomatoes and sausages.”
I think it’s important to note that “Roxanne” is no longer listed on the Il Palagio website; however, there are other Super Tuscan blends available there, including “New Day,” “Sister Moon,” and “Sacred Love.” And you can still find “Roxanne” and other Il Palagio products at many wine stores.
What was our experience? We really liked this one. Being one of the “old guys” (eight years old), it had a slight brown tinge to it and heavy legs. Every breath we took told us that its aroma was strong and earthy, with hints of mushrooms. It also had a slightly earthy taste, with hints of mushrooms but more chocolate after a few minutes of breathing. By the second or third sip, it was surprisingly smooth. I would encourage you to try any of Sting’s Il Palagio wines – I think they will really impart the loveliness of the Tuscan countryside. Italy’s true message in a bottle!

Book recommendation: I was originally a bit intimidated by One Thousand Vines by Pascaline Lepeltier, primarily due to its size and imposing goal, as stated in one blurb: to answer “all the important questions about wine and offers the reader keys to understand the links between the bottle and the producers, terroirs and vineyards which give birth to it.” Lepeltier is one of the most interesting sommeliers out there, known for her interesting YouTube videos. As a New York Times review noted: “It examines every aspect of wine, starting with the domestication of the grape vine thousands of years ago through the nature of the vine, the geology, flora and fauna of vineyards, the production and serving of wine, how we taste it and how we talk about it. It’s a remarkable synthesis that incorporates biology, chemistry, history and philosophy.” It’s hefty but worth it.

Wine-focused TV/movie recommendation: We really enjoyed The Widow Clicquot, the true story about the woman who inherited her late husband’s vineyard and ultimately created one of the world’s best champagnes – Veuve Clicquot. Very informative and well-done.

Wine Playlist: As mentioned in earlier posts, I like to create fun and funky playlists based on some of my interests, so I’ve created a wine playlist – songs with titles or lyrics that include wine. You can find it on Spotify at https://open.spotify.com/playlist/5rAwgh9Thiary4zUplUsaN
This blog’s entry is the absolutely gorgeous “Dandelion Wine” by Gregory Alan Isakov.
“Fall swooned
Left me drunk in a field
Dandelion wine for a year”

























































































